Categories:
Authors
Topics
- [Acker, Kathy (c.1944-1997)]
- Armstrong, Martin (1882-1974)
- Barthes, Roland (1915-1980)
- Borges, Jorge Luis (1899-1986)
- Burton, Richard F. (1821-1890)
- Clinton, Jerome W. (1937-2003)
- Corballis, Tim (1971- )
- Dick, Philip K. (1928-1982)
- Dukes, Breton
- García Márquez, Gabriel (1927-2014)
- Grotzfeld, Heinz
- Haddawy, Husain
- Hamori, Andras
- Horovitz, Josef (1974-1931)
- Ihimaera, Witi (1944- )
- Jakobson, Roman (1896-1982)
- James, M. R. (1862-1936)
- Kilito, Abdelfattah (1945- )
- Lane, Edward W. (1801-1876)
- Le Guin, Ursula K. (1929-2018)
- Lem, Stanislaw (1921-2006)
- Mahdi, Muhsin (1926-2007)
- Pinault, David
- Poe, Edgar Allan (1809-1849)
- [Robbins, Harold (1916-1997)]
- Ross, Jack (1962- )
- Shaw, Tina (1961- )
- Tawhai, Alice
- 1001 Nights, The
- Todorov, Tzvetan (1939-2017)
- Wells, H. G. (1866-1946)
Kathy Acker: Blood and Guts in High School, plus two (1984)
Cover Image: Sue Coe
Kathy Acker: Young Lust (1989)
Kathy Acker: Young Lust: blurb
Burton's Translation (1885-88)
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Grotzfeld, Heinz
Heinz & Sophia Grotzfeld: Die Erzahlungen aus "Tausendundeiner Nacht"
[The Tales from the "Thousand and One Nights"] (1984)
Edgar Allan Poe: The Imp of the Perverse (1845)
Adapted by Richard Margopoulos / Art by Luis Bermejo. Creepy 76 (January 1976)
Bronwyn Lloyd: Arabian Nights bookcase close-up (3/2/2017)
Galland's Translation (1704-17)
Lane's Translation (1839-41)
Lane's Translation (1839-41)
The Lyons' Translation (2008)
Tzvetan Todorov: La conquête de l’Amérique: La question de l’autre
[The Conquest of America: The Question of the Other (1982)
- Section 1 - Introduction:
Paratext- Workshop: Procedures
- Section 2 - The Fantastic (i):
The Psychology of Fantasy- Workshop: Exercise 1 - Faking Sincerity
- Section 3 - The Fantastic (ii):
How Do You Write a Ghost Story?- Workshop: Exercise 2 - Ghost Story
- Section 4 - Magic Realism (i):
The Politics of Representation- Workshop: Exercise 3 - Psychology
- Section 5 - Magic Realism (ii):
Deciphering the Tropics- Workshop: Exercise 4 - Parody
- Section 6 - Metafiction (i):
The Philosophy of Being- Workshop: Exercise 5 - Sampling
- Section 7 - Metafiction (ii):
How to be Somewhere and Nowhere- Workshop: Critical Skills (i) - Analysing a Story
- [Section 8 - Collage & Cut-ups (i):
Textual Paranoia]- Workshop: Critical Skills (ii)
- [Section 9 - Collage & Cut-ups (ii):
Cities of the Red Night]- Workshop: Fiction Portfolio (i)
- Section 8 (revised) - New Wave (i):
The Power of Speculative Fiction- Workshop: Fiction Portfolio (ii)
- Section 9 (revised) - New Wave (ii):
Dangerous Visions- Workshop: Fiction Portfolio (iii)
- Section 10 - Utopia / Dystopia:
Thought Experiments- Workshop: Fiction Portfolio (iii)
- Section 11 - Utopia / Dystopia:
The Country of the Blind- Workshop: Fiction Portfolio (iv)
- Section 12 - Conclusion:
The Point of an Ending- Workshop: Self-Narration
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Section 1: Introduction - Paratext
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Section 2: The Fantastic (i) - The Psychology of Fantasy
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Section 3: The Fantastic (ii) - How Do You Write a Ghost Story?
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Section 4: Magic Realism (i) - The Politics of Representation
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Section 5: Magic Realism (ii) - Deciphering the Tropics
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Section 6: Metafiction (i) - The Philosophy of Being
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Section 7: Metafiction (ii) - How to Be Somewhere and Nowhere at the Same Time
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[Section 8: Collage & Cut-Outs (i) - Textual Paranoia]
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[Section 9: Collage & Cut-Outs (ii) - Cities of the Red Night]
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Section 8 (rev): New Wave (i) - The Power of Speculative Fiction
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Section 9 (rev): New Wave (ii) - Dangerous Visions
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Section 10: Utopia / Dystopia (i) - Thought Experiments
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Section 11: Utopia / Dystopia (ii) - The Country of the Blind
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Section 12: Conclusion - The Point of an Ending
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